犀牛
RHINOCEROS
同大自然的其它動物相比，人類是種缺陷的存在，他不够強壯也不够迅捷，不够龐然大物也不够袖珍，落入角鬥場，不會是野獸的對手；人類還是盜賊的後代，所以能活到現在，是靠偷動物的技術，偷鳥的翅膀、偷魚的鰭，偷犀牛的皮膚和角，但如果人類徹底變成犀牛——這種單純而又強壯的草食動物，那究竟是童話抑或噩夢？
尤涅斯庫的《犀牛》寫下資本主義社會終將導致世界末日的預言，而這版《犀牛》想要探討疫情後人類是否還能同自然和解？病毒肆虐使人類自絕於世，只有臥室的電腦荧幕是安全的，網路媒體將疫情期間的「苦中作樂」變成了可供消遣觀賞的短視頻，人類像在觀察動物一樣觀察極端情境下的自己，每一棟建築、每一扇窗戶甚至每一座城市都成了巨大的「人類動物園」，園中蔓延的「犀牛病」並非來源於遙遠的外界，而是人類自身的糾錯機制和重建世界的免疫系統。或許，退化為「犀牛」的都市傳說提供給我們的是反思人類進化發展的機會——災難面前，人類無比渺小，需喚醒我們久違的敬畏之情。
Compared with other animals in nature, the existence of human beings is a defect. They are not enough strong or fast and are not enough big or small. They will not match for wild animals if put into the arena. Human beings are also descendants of thieves, so they can live to the present by stealing technologies of animals, wings of birds, fins of fish, and skin and horns of rhinoceros. But if human beings completely become rhinoceros—a simple and strong herbivore, would it be a fairy tale or a nightmare?
It was written in Eugene Ionesco’s “Rhinoceros” the prophecy that capitalist society will eventually lead to the end of the world, and the “Rhinoceros” in this edition wants to explore whether human beings can reconcile with nature after the epidemic. The ravage of viruses makes mankind isolated from all over the world, and only the computer screen in the bedroom is safe. The network media turned “having fun during the bitter epidemic period” into a short video for recreation. Human beings observe themselves in extreme situations like observing animals. Every building, window, and even every city has turned out to be a huge “human zoo”. The “rhinoceros disease” spreading in the park does not come from the distant outside world but from human's own mechanism for correcting errors and the immunity of rebuilding the world. Perhaps, the urban legend degenerated into “rhinoceros” provides us with the opportunity to reflect on the human beings’ evolution and development—Human beings were extremely small when facing the disaster, which our long-lost awe needs to awaken.
編劇：[法]尤金·尤涅斯庫
Compared with other animals in nature, the existence of human beings is a defect. They are not enough strong or fast and are not enough big or small. They will not match for wild animals if put into the arena. Human beings are also descendants of thieves, so they can live to the present by stealing technologies of animals, wings of birds, fins of fish, and skin and horns of rhinoceros. But if human beings completely become rhinoceros—a simple and strong herbivore, would it be a fairy tale or a nightmare?
It was written in Eugene Ionesco’s “Rhinoceros” the prophecy that capitalist society will eventually lead to the end of the world, and the “Rhinoceros” in this edition wants to explore whether human beings can reconcile with nature after the epidemic. The ravage of viruses makes mankind isolated from all over the world, and only the computer screen in the bedroom is safe. The network media turned “having fun during the bitter epidemic period” into a short video for recreation. Human beings observe themselves in extreme situations like observing animals. Every building, window, and even every city has turned out to be a huge “human zoo”. The “rhinoceros disease” spreading in the park does not come from the distant outside world but from human's own mechanism for correcting errors and the immunity of rebuilding the world. Perhaps, the urban legend degenerated into “rhinoceros” provides us with the opportunity to reflect on the human beings’ evolution and development—Human beings were extremely small when facing the disaster, which our long-lost awe needs to awaken.
編劇：[法]尤金·尤涅斯庫
導演：孫曉星
聯合導演：黎凌薇，劉湲清，岑京璟，王靖熠
舞美設計：石瀛之，郎語辰，黄淑帆，魏煜湘
表演：喬玉新，裴雲旭，楊陽，王文妍，劉適辰，崔茂宇，張紫琪，韓澤中，劉湲清，李海明，劉樂婧，高藝桐，王靖熠，孟成真，邢衛業
作曲：郭祥韻
表演：喬玉新，裴雲旭，楊陽，王文妍，劉適辰，崔茂宇，張紫琪，韓澤中，劉湲清，李海明，劉樂婧，高藝桐，王靖熠，孟成真，邢衛業
作曲：郭祥韻
編舞：劉樂婧
影像設計：于博柔，劉湲清，郎語辰
Playwright: Eugene lonesco
Director: Sun Xiaoxing
Co-directors: Li Lingwei, Liu Yuanqing, Cen Jingjing, Wang Jingyi
Playwright: Eugene lonesco
Director: Sun Xiaoxing
Co-directors: Li Lingwei, Liu Yuanqing, Cen Jingjing, Wang Jingyi
Stage Designers: Shi Yingzhi, Lang Yuchen, Huang Shufan, Wei Yuxiang
Performers: Qiao Yuxin, Pei Yunxu, Yang Yang, Wang Wenyan, Liu Shichen, Cui Maoyu, Zhang Ziqi, Han Zezhong, Liu Yunqing, Li Haiming, Liu lejing, Gao Yitong, Wang Jingyi, Meng Chengzhen, Xing Weiye
Composer: Guo Xiangyun
Choreographer: Liu Lejing
Video Designers: Yu borou, Liu Yuanqing, Lang Yuchen
演出經歷：
Performers: Qiao Yuxin, Pei Yunxu, Yang Yang, Wang Wenyan, Liu Shichen, Cui Maoyu, Zhang Ziqi, Han Zezhong, Liu Yunqing, Li Haiming, Liu lejing, Gao Yitong, Wang Jingyi, Meng Chengzhen, Xing Weiye
Composer: Guo Xiangyun
Choreographer: Liu Lejing
Video Designers: Yu borou, Liu Yuanqing, Lang Yuchen
演出經歷：
2020 北京舞蹈學院黑匣子劇場 北京
2021 北京舞蹈學院黑匣子劇場 北京
2021 第十五屆拉古納國際藝術獎入圍展 軍械庫 威尼斯
Previous performances:
2020, Beijing Dance Academy Black Box Theatre, Beijing.
2021, Beijing Dance Academy Black Box Theatre, Beijing.
2021, The 15th Arte Laguna Prize Finalists Exhibition, Arsenale Nord, Venice.
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